It continues the hypnotic element that began in the previous track with a constant bassline that gradually gets louder.
The layout of the album is very clever once the chaos of “Points” ends, we are brought back to the calm and haunting beauty that was “Radio Silence” in “Love Me in Whatever Way”. It may come off as a shock to the listener at first glance but the constant synthesized sounds act as a trance and you are left hypnotized by the music. This is where his trademark erratic and chaotic style of production begins. This statement then evolves into a chant as the listener dives what seems as headfirst into the type of music Blake is known for. It begins simply, with Blake repeatedly stating “the sad thing is, you’re no longer here”. It’s a calm introduction to the record that creates the perfect gateway into the following track “Points”. Much of the album follows suit with this same theme – of loss of loneliness of brooding. The album begins with the beautiful lead single “Radio Silence.” It’s a dark and brooding confessional as Blake begs for more time with a lost connection.
Just please, more time Just please, more time I’m sorry, I don’t know how you feel I don’t know how you feel It’s hard to tell if I don’t know how you feel Blake received international recognition for his 2013 release, which garnered him a Grammy nomination in 2014 for “Best New Artist” and a nod for “British Male Solo Artist” at the 2014 BRIT Awards. This was most likely achieved with the help of Frank Ocean, who co-wrote the album, and Rick Rubin, who co-produced. The production on this album is closely related to that of earlier works such as 2013’s Overgrown, but there is a higher level of maturity that can be heard around this time. The use of synths was very popular in the eighties and usually is a reminder of the cheesiest types of music, however Blake cleverly avoids the cheesiness and uses the sound to his advantage. It’s truly a spiritual journey when one sits down and fully beholds his work.Īnything is a body of work that is heavy with emotion and synthesizers to match. Blake is one of few modern artists to achieve this for the audience, and it helps to set him apart from everyone else. It’s a beautiful trip through which you can find yourself being more centered and attuned with your body. This creates a mood of tranquility his music is made for sitting and reflecting and focusing all your attention to your sense of hearing. James Blake is known for layering gorgeous harmonies over one simple melody. This is evident in much of his older works and remains the same with his most recent release, The Colour in Anything (via 1-800 Dinosaur / Polydor Records). One would assume that would make his music difficult to listen to, but in fact it creates an opposite effect. He pushes the envelope, creating music based on pure melodic tension. Rarely does he have songs that don’t contain a push and pull in-between notes and chords. It’s Blake’s trademark, and he uses it to his advantage. The first thing that comes to mind when thinking about James Blake is dissonance. literally.James Blake’s The Colour in Anything is the musical reminder that we didn’t know we needed.
More like this one please Comment by Duke of Bass This is such a nice one Comment by Mustafa Hasan 14
This entire album is a masterpiece listening to is like having a rainy cloud being created inside u Comment by The TODD U make being sad a fun thing to do lol Comment by Waterscape Wait! they dont love you like i love you Comment by Waterscape This is how I feel.lately Comment by nicolef0xx Sorry I don't how u feel Comment by UnfurlPR Comment by Nepadoīeautiful in every way Comment by Belive Lugubrious and haunting but beautifully so as always. One of the most beautiful albums ive ever heard. Prime James Blake still at it Comment by coch4nel It's your choice folks Comment by User 414477254 Comment by MIKEY DEVILĪnyone wanna hear some weird sh*t? If so, then come on down and listen to my track "HAPPY AND DEPRESSED" or don't if you don't want to. This song sounds so nice Comment by MAXUMA
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